勾勒中華文化圖景
原標題:勾勒中(zhong)華文化圖景
作者(zhe):閱讀推(tui)廣(guang)人 啟航

本(ben)期榜(bang)單上的圖(tu)書,第一類(lei)是講中(zhong)(zhong)(zhong)(zhong)華(hua)(hua)文(wen)明(ming)(ming)的圖(tu)書,視角從高(gao)屋建瓴到事無(wu)巨細。中(zhong)(zhong)(zhong)(zhong)華(hua)(hua)文(wen)明(ming)(ming)一般指華(hua)(hua)夏文(wen)明(ming)(ming),與(yu)中(zhong)(zhong)(zhong)(zhong)華(hua)(hua)優(you)秀傳統(tong)文(wen)化(hua)密(mi)不可分。內容(rong)既包含中(zhong)(zhong)(zhong)(zhong)華(hua)(hua)文(wen)明(ming)(ming)的格局(ju)、中(zhong)(zhong)(zhong)(zhong)華(hua)(hua)文(wen)化(hua)的發(fa)展、文(wen)化(hua)的基因,也包括細分的文(wen)學史、法制史等(deng)(deng),甚(shen)至中(zhong)(zhong)(zhong)(zhong)國(guo)(guo)古人(ren)的禮儀等(deng)(deng)。第二類(lei)是講中(zhong)(zhong)(zhong)(zhong)國(guo)(guo)與(yu)世(shi)界(jie)互相(xiang)端詳的圖(tu)書。內容(rong)包含站在(zai)(zai)中(zhong)(zhong)(zhong)(zhong)國(guo)(guo)看世(shi)界(jie),站在(zai)(zai)北京(jing)看古時(shi)來到中(zhong)(zhong)(zhong)(zhong)國(guo)(guo)的外國(guo)(guo)人(ren),站在(zai)(zai)世(shi)界(jie)看清(qing)朝(chao)時(shi)的中(zhong)(zhong)(zhong)(zhong)國(guo)(guo),站在(zai)(zai)阿拉伯的角度看中(zhong)(zhong)(zhong)(zhong)國(guo)(guo)等(deng)(deng)。
《中(zhong)(zhong)(zhong)華文(wen)(wen)(wen)明格局的(de)(de)(de)(de)起源:考(kao)古(gu)學的(de)(de)(de)(de)視(shi)角(jiao)》是(shi)從考(kao)古(gu)學的(de)(de)(de)(de)大歷史(shi)宏觀視(shi)角(jiao)與(yu)長時段時間尺(chi)度,來認識中(zhong)(zhong)(zhong)華文(wen)(wen)(wen)明格局的(de)(de)(de)(de)形成與(yu)特(te)點。《中(zhong)(zhong)(zhong)國式現(xian)代(dai)化(hua)(hua)(hua)的(de)(de)(de)(de)文(wen)(wen)(wen)化(hua)(hua)(hua)基因》立足中(zhong)(zhong)(zhong)華文(wen)(wen)(wen)明視(shi)角(jiao),解讀中(zhong)(zhong)(zhong)國式現(xian)代(dai)化(hua)(hua)(hua)的(de)(de)(de)(de)內涵和(he)特(te)征,講(jiang)清楚(chu)它(ta)與(yu)古(gu)老(lao)(lao)中(zhong)(zhong)(zhong)華文(wen)(wen)(wen)明的(de)(de)(de)(de)關(guan)(guan)系。其中(zhong)(zhong)(zhong)的(de)(de)(de)(de)關(guan)(guan)鍵是(shi):中(zhong)(zhong)(zhong)國式現(xian)代(dai)化(hua)(hua)(hua)深深植根于中(zhong)(zhong)(zhong)華優秀(xiu)傳統文(wen)(wen)(wen)化(hua)(hua)(hua),中(zhong)(zhong)(zhong)國式現(xian)代(dai)化(hua)(hua)(hua)是(shi)賡續古(gu)老(lao)(lao)文(wen)(wen)(wen)明的(de)(de)(de)(de)現(xian)代(dai)化(hua)(hua)(hua)。《中(zhong)(zhong)(zhong)華文(wen)(wen)(wen)化(hua)(hua)(hua)十五(wu)講(jiang)》是(shi)文(wen)(wen)(wen)化(hua)(hua)(hua)史(shi)家馮天瑜先生的(de)(de)(de)(de)文(wen)(wen)(wen)化(hua)(hua)(hua)普及力作,“從史(shi)學視(shi)角(jiao)切近(jin)中(zhong)(zhong)(zhong)華文(wen)(wen)(wen)化(hua)(hua)(hua)的(de)(de)(de)(de)發展歷程(cheng),用史(shi)家筆法勾勒(le)中(zhong)(zhong)(zhong)華文(wen)(wen)(wen)化(hua)(hua)(hua)的(de)(de)(de)(de)圖景。”
《歷史的游(you)蕩者》是《翦商》作(zuo)(zuo)者李(li)碩(shuo)的作(zuo)(zuo)品,書中(zhong)好讀(du)(du)的是導讀(du)(du)文(wen)章,介紹了李(li)碩(shuo)對每個題目、領域萌生想法的過程,以及論文(wen)何(he)時寫作(zuo)(zuo)等(deng)。《古人的日常禮(li)儀》則事無巨細(xi),是以見面禮(li)、成年(nian)禮(li)、婚禮(li)等(deng)為核心,對坐、跪(gui)與拜(bai),揖(yi)與拜(bai),拱手(shou)等(deng)等(deng)都(dou)有介紹,其中(zhong)配圖100多張(zhang),作(zuo)(zuo)者手(shou)繪就近50張(zhang)。
再說第二類,講中國(guo)(guo)與(yu)世界互相端詳的(de)圖(tu)書(shu)。《從中國(guo)(guo)出(chu)發(fa)的(de)全(quan)(quan)(quan)球(qiu)(qiu)史》是由“看理想”中同名節目轉化而來(lai)的(de),是中國(guo)(guo)人自己撰寫的(de)全(quan)(quan)(quan)球(qiu)(qiu)史,主編葛(ge)兆(zhao)光教授和對各個領(ling)域有著深(shen)刻研究的(de)二十幾位學(xue)者用心打磨(mo)而成。該書(shu)從中國(guo)(guo)視(shi)角出(chu)發(fa)看待全(quan)(quan)(quan)球(qiu)(qiu)歷史,彌(mi)補(bu)了近些年來(lai)沒有一(yi)部屬于中國(guo)(guo)學(xue)者的(de)全(quan)(quan)(quan)球(qiu)(qiu)史的(de)遺憾(han)和缺陷(xian)。
《北(bei)(bei)京(jing)三萬里:重大時刻(ke)來(lai)(lai)華的那(nei)些(xie)人,那(nei)些(xie)事》用紀實手法、真實細節,講述了從元(yuan)建都到清初歷法變革,再到新文(wen)化(hua)運動、抗日戰爭、新中(zhong)國(guo)成立、中(zhong)日邦(bang)交、改革開放等若干歷史時刻(ke)15位外(wai)(wai)國(guo)名人來(lai)(lai)華的“破(po)冰(bing)之旅”。這(zhe)些(xie)中(zhong)國(guo)人耳熟(shu)能詳的外(wai)(wai)國(guo)人中(zhong),既有馬可·波羅、湯若望(wang)等古人,也(ye)有小澤征爾(er)、皮爾(er)·卡丹等現代人,“他們對北(bei)(bei)京(jing)的凝視,跨(kua)越著歷史和未來(lai)(lai),也(ye)為當下中(zhong)國(guo)與各國(guo)的文(wen)化(hua)交流(liu)、推(tui)動構建人類命運共(gong)同體(ti)提供了借鑒(jian)。”
《康熙的(de)(de)紅(hong)票(piao):全(quan)(quan)球化(hua)中的(de)(de)清朝》近幾個(ge)月“洛(luo)陽紙(zhi)貴”,因為(wei)它背后的(de)(de)故事足夠吸引人:2019年北京春季(ji)藝術品拍賣會上(shang),出現了一張康熙皇(huang)帝1716年發去歐洲的(de)(de)諭令,內容是尋找(zhao)他派去羅馬多年而杳無音信(xin)的(de)(de)洋欽差。這份諭令呈(cheng)朱紅(hong)色,歷史(shi)(shi)上(shang)又(you)稱“紅(hong)票(piao)”。因正(zheng)史(shi)(shi)中沒有記載,紅(hong)票(piao)的(de)(de)來歷一直成謎。評論者說它是“以全(quan)(quan)球史(shi)(shi)視(shi)野,透過西方之(zhi)眼,講述一個(ge)熟悉而又(you)陌(mo)生的(de)(de)康熙皇(huang)帝”“一部兼(jian)具學術性和通俗性的(de)(de)全(quan)(quan)球史(shi)(shi)新銳之(zhi)作”。
《阿拉(la)(la)伯古籍中(zhong)的中(zhong)國(guo)(guo)》(文史(shi)卷)輯錄的是(shi)阿拉(la)(la)伯文史(shi)類古籍,包(bao)括辭書、歷史(shi)文獻和(he)文學(xue)作品中(zhong)關于(yu)中(zhong)國(guo)(guo)的記(ji)載,時間(jian)跨度從(cong)公元8世(shi)(shi)紀至19世(shi)(shi)紀,古籍資料50余部,“對于(yu)深化中(zhong)國(guo)(guo)和(he)阿拉(la)(la)伯國(guo)(guo)家間(jian)的相(xiang)互理解、情感交流和(he)心靈溝通,強化中(zhong)阿文明的互學(xue)互鑒具有重要的現實意義。”
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